Monday, 25 April 2011

Great Price Ikelite for $1,599.95

Ikelite Underwater Camera Housing with E-TTL for Canon Digital EOS 5D Mark II Camera, Clear Molded Review





Ikelite Underwater Camera Housing with E-TTL for Canon Digital EOS 5D Mark II Camera, Clear Molded Feature


  • A full range of optical grade dome and flat ports accommodate most macro, wide angle and zoom lenses



Ikelite Underwater Camera Housing with E-TTL for Canon Digital EOS 5D Mark II Camera, Clear Molded Overview


This heavy-duty clear polycarbonate case is contoured to the camera, durable, and completely corrosion free. Unlike aluminum housings there is a clear view of the main o-ring seal, port o-ring seal, camera controls, and dry inside. Mechanical controls are The housing is fully functional to a depth rating of 200 feet (60m). The housing is only slightly negative in salt water depending on choice of lens port Controls are provided through the housing for every camera function except the multi-controller and kept water-tight with Ikelite pioneered Quad-Ring seal glands proven to be the most reliable method of sealing controls. A large zoom control knob can be comfortably reached without removing your hand from the handle. A full range of optical grade dome and flat ports accommodate most macro, wide angle and zoom lenses. The standard port line offers compact and affordable options without sacrificing image quality. The modular port system offers maximum versatility and performancewith interchangeable 8" dome and flat port assemblies. Port attachment is quick and easy with a simple locking system and the port o-ring seal is clearly viewed through the housing. Lens ports sold separately. The Super-Eye magnifier comes standard and offers enhanced visibility of the camera's viewfinder while wearing a diving mask. The camera's large LCD screen can be clearly viewed through the back of the housing. The live preview feature of the Canon 50D model is accessibl


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Thursday, 21 April 2011

Check Out Sony Professional HVR-Z1U 3CCD High Definition Camcorder with 12x Optical Zoom

Sony Professional HVR-Z1U 3CCD High Definition Camcorder with 12x Optical Zoom Review





Sony Professional HVR-Z1U 3CCD High Definition Camcorder with 12x Optical Zoom Feature


  • High-definition video camera records in 1080i, 720p, and 720i specification with analog down-converting
  • 16:9 widescreen recording; 4:3 conversion capable
  • Carl Zeiss Vario-Sonnar T* 12x optical zoom Lens; optical Super SteadyShot System dampens hand jitter and vibration
  • 3CCD camera system; records to conventional DV tape stock
  • Powered by NP-F570 InfoLithium rechargeable battery pack



Sony Professional HVR-Z1U 3CCD High Definition Camcorder with 12x Optical Zoom Overview


The Sony HVR-Z1U professional camcorder shoots brilliant high definition 1080i pictures with jaw-dropping detail, color and clarity, and comes equipped with a Carl Zeiss Vario-Sonnar® T 12x zoom lens - the same glass and coatings as in Zeiss prime lenses.


Sony Professional HVR-Z1U 3CCD High Definition Camcorder with 12x Optical Zoom Specifications


With high-definition television sets replacing standard definition, it's time for a high quality HD camera to lead prosumer video into the future. Sony's HVR-Z1U Digital HD video camera recorder is just such a camera. It's the compact and cost-effective machine that bridges the gap between high definition and standard definition video formats.

HVR-Z1U camera
See large image
HDV 1080i
The HDV 1080i specification features 1080 effective interlaced scanning lines and 1,440 horizontal pixels. Interlaced pictures, which have been common to TV broadcasts from the beginning, alternately display odd and even numbered lines between each screen refresh. The HVR-Z1U can also record at the HDV 720p specification, which features 720 effective progressive scanning lines and 1,280 horizontal pixels. Progressive scanning fills both odd and even numbered lines with each refresh, providing a flicker-free picture.

Not yet ready for HD? The HVR-Z1U can convert material from 1080i down to 480i and 576i, and output these digital video signals through its i.LINK interface or as analog signals through component, composite, or S-video connectors. When down-converting these signals, the aspect ratio displayed can be converted from 16:9 to 4:3, and display modes can be selected from squeeze, letterbox or edge crop.

HVRZ1U camera audio levels
Keep an eye on audio levels on the LCD monitor
Audio
The HVR-Z1U adopts the MPEG-2 compression format, which uses 8-bit digital component recording with a sampling rate of 4:2:0. The camera uses MPEG-1 Audio Layer II audio compression format, allowing for two-channel recording with a sampling frequency of 48 kHz/16-bit. It features a built-in stereo microphone, as well as two XLR audio input connectors for use with professional-grade microphones or external audio sources. Each input level for CH1 and CH2 can be independently adjusted using two audio level dials on the camera body and viewed with an audio level meter on the LCD monitor.

3CCD camera system
Originally, camcorders used one CCD--the imaging device that turns light into electronic information--and let the image processing unit decipher the color information from the data. Like today's broadcast video cameras, however, the HVR-Z1U uses a prism to divide incoming light into three beams and uses specially tuned 1/3-inch CCDs to create red, blue, and green composite images, which are assembled into a final image. The result is a more film-like vibrancy and more accurate color representation.

Carl Zeiss Vario-Sonnar T* 12x zoom lens
The HVR-Z1U is equipped with a Carl Zeiss Vario-Sonnar T* high definition lens with a 12x zoom function. It has the same optical coating as is used on all of the Carl Zeiss prime lenses, which produces sharp, high-contrast images with virtually no chromatic aberration. This lens is designed with a wide viewing angle, and a 35-mm equivalent focal length ranging from 32.5 mm to 390 mm in 16:9 mode, and from 40 mm to 480 mm in 4:3 mode.

In order to facilitate zoom control and recording operation during low-angle shooting, an additional zoom lever and a rec start/stop button have been added to the carrying handle. There's also a motorized zoom ring, equipped with stops and barrel marking, located on the lens body. Turning this zoom ring allows for fine adjustments in zoom position settings. Furthermore, the supplied wireless Remote Commander unit can be used for external control.

HVRZ1U Expanded Focus
Expanded Focus helps you confirm your manual focus
Large, 16:9 widescreen color viewfinder and LCD monitor
View your subject through the built-in viewfinder, the swing-out LCD display, or both. The HVR-Z1U features a 0.44-inch type color LCD viewfinder and a 3.5-inch color LCD monitor, both in a 16:9 aspect ratio. You'll save battery time by using just one, but you may want to use one for adjusting focus and the other for monitoring audio levels. When eschewing auto focus for the fine-tuning manual focus, you can double the magnification at the center of the screen, making it easier to confirm focus settings during manual focusing. Also, the camera's "peaking" function can provide sharp outlines on the monitor to help with manual focus.

Optical Super SteadyShot system
Sony's optical Super SteadyShot System helps remove the slight hand jitter and vibration that is often the bane of video production. Sensors inside the camera detect horizontal and vertical movements and the camera can counteract those movements by adjusting the lens mechanism on the fly. This is superior to digital anti-shake systems that counteract image shake by trimming off edges of the frame.

The Hollywood look
The HVR-Z1U has features that can make your videos look more like they were shot on film. Cinematone Gamma allows operators to quickly setup and load a gamma curve with similar contrast characteristics to a film gamma curve. The Cineframe feature allows movement to be reproduced at 24 frames per second--the speed of film--as opposed to video's 30 frames per second standard. The Color Extraction function can retain up to two desired colors of monitored pictures in the screen by designating color hue, saturation and range, while making the other colors black and white. The Color Revision function can change the hue of only the colors designated by Color Extraction, while retaining the hue of the other colors, thus making it possible to change the color of something you've already shot.

No new tape stock
The HVR-Z1U is compatible with conventional DV tape stock, but Sony recommends the use of DigitalMaster PHDVM-63DM tape, with its dual layer of magnetic material, which delivers higher RF output, lower noise, 95% fewer errors and 60% fewer dropouts compared to regular DV tape.

More camera features

·Six Assign buttons -- get quick access to a variety of settings ·Time Code Preset -- fill in any timecode starting value
·Shot Transition -- creates smooth automatic transitions between scenes ·Color Bar -- Two types
·Status Check -- displays camera setting menus for audio, output signal, assign button and exposure lever functions and hours meter on the LCD monitor ·Zebra -- displays a striped pattern in the LCD monitor and viewfinder across highlight areas, helping manual exposure settings
·Quick REC -- shortens the record interval from stop mode. ·Personal Menu -- allows operators to customize the setting menu
·AE Override -- manually change exposure settings during the AE mode via an iris dial ·Hyper Gain -- automatically boost the gain level up to approximately +36 dB
·Black Stretch -- allows more contrast to be seen in dark parts of the picture without affecting mid-tones  ·Picture Profile -- easily call up customized picture-quality settings to the camera to suit various shooting conditions

What's in the box
HVR-Z1U, AC-VQ850 AC adaptor/charger, power cord, connecting cord, lens hood, large eyecup, RMT-841 wireless Remote Commander unit, A/V connecting cable, component video cable, shoe adaptor, NP-F570 InfoLithium rechargeable battery pack, two AA-size (R6) batteries, cleaning cassette, shoulder strap, and operating instructions.



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Monday, 18 April 2011

Great Price Opteka OPT-UC-SLR-CAN for $79.00

Opteka Underwater Case/Housing for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i & T2i Digital SLR Cameras Review





Opteka Underwater Case/Housing for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i & T2i Digital SLR Cameras Feature


  • Underwater housing for up to 30 feet depth
  • Secure thumb screw clamp closure system
  • Double-coated PVC Vinyl with UV Coated Lens Cover
  • Accordion style lens tube with two finger adjusters gives user full control
  • Dimensions: 10" X 8" X 6.5" (L X H X W)



Opteka Underwater Case/Housing for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i & T2i Digital SLR Cameras Overview


The Opteka UC-SLR underwater housing will protect your digital SLR camera while swimming, boating, skiing, fishing, snorkeling and scuba diving (up to 30 feet). Features a secure clamp closure, accordion lens tube with two finger adjusters, UV coated lens cover, neck strap and deluxe carry case. Will work with any digital SLR camera up to 8" X 8" with lenses up to 80mm in diameter (The accordion lens tube can extend up to 5")


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*** Product Information and Prices Stored: Apr 18, 2011 12:42:17

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Friday, 15 April 2011

Great Price Panasonic AGDVX100A for

Panasonic Pro AG-DVX100A 3-CCD MiniDV Proline Camcorder w/10x Optical Zoom Review





Panasonic Pro AG-DVX100A 3-CCD MiniDV Proline Camcorder w/10x Optical Zoom Feature


  • Superior Image Rendering with the Leica Dicomar Lens
  • 410,000-pixel (NTSC), 3CCD Image System Provides F11 Sensitivity for Superior Image Quality
  • High-Sensitivity Slow Shutter
  • High Image Quality with 12-Bit A/D Conversion
  • RGB Gamma Processor Provides Rich, Cine-Like Tones



Panasonic Pro AG-DVX100A 3-CCD MiniDV Proline Camcorder w/10x Optical Zoom Overview


The AG-DVX100A is equipped more than 20 new user-requested features including: enhanced 24p and 30p progressive mode functions; improved color reproduction; new cine-like gamma curves and enhanced image adjustments; a slow shutter function for higher sensitivity and dramatic motion effects; smoother zooming and focusing; a new squeeze mode for 16:9 recording; and new auto focus assist and interval recording modes for improved ease and versatility. Panasonic has outfitted the AG-DVX100A with a new prism to deliver the best picture quality in its class. New on-chip lens design delivers more than 500 lines of horizontal resolution, lower flare and smear, and a high F11 sensitivity, allowing the camera to record at 3 lux (at +18dB) for nighttime acquisition. Native progressive-scan CCDs eliminate interlace artifacts including horizontal jaggies and motion-edge tearing. Large Electronic Viewfinder 3.5 Color LCD Monitor Built-In SMPTE Time Code Generator/Reader External Backup with the IEEE 1394 Synchro Lock Function XLR Input


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*** Product Information and Prices Stored: Apr 15, 2011 17:15:09

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Monday, 11 April 2011

Check Out ContourHD 1080p Full HD Helmet Camera for $228.95

ContourHD 1080p Full HD Helmet Camera Review





ContourHD 1080p Full HD Helmet Camera Feature


  • Full HD Recording (1080p) - 1920x1080 pixels - 30fps
  • 5 Megapixel Sensor
  • Internal Microphone
  • Removable Lithium-Ion Battery; records up to 4 hours
  • Aluminum and Fiberglass Water Resistant Body



ContourHD 1080p Full HD Helmet Camera Overview


A water-resistant camera for all seasons, its light (4.3 ounces/123 grams) anodized aluminum body withstands dust, dirt, mud, and snow. It is also shock, vibration and impact resistant.


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Friday, 8 April 2011

Photography Exposed Podcast - 006 - Hoender-Shift vs Lens Baby, Punt-en-skiet vs DSLR, & Lens huur

PhotographyExposed.tv - skryf in op ons iTunes voer! Christopher Stokes bespreek die besluit om 'n goedkoop punt-en-skiet kamera te bring op' n reis na Italië. Brian praat oor lens seleksie en hoe om te bepaal wat jy nodig het. Vir 'n foto reis na Pittsburgh en Cleveland, Brian huur' n Canon 24mm TS-E Tilt Shift lens, en bespreek die verskille tussen wat dit gebruik en 'n goedkoop Lens Baby. Leërskare Brian Palmer Christopher Stokes Video Produksie: Nancy Cross Post Production & MotionGrafiese: Brian Palmer Podcast klankbaan tema: Covox - Densha die leërskare: Brian Palmer Christopher Stokes Video Vervaardiging & Post: Brian Palmer Podcast klankbaan tema: Covox - Densha Lapse footage (Carbon) Jim-Box www.youtube.com

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Monday, 4 April 2011

Friday, 1 April 2011

Great Price Opteka OPT-UC-SLR-CAN for $79.00

Opteka Underwater Case/Housing for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i & T2i Digital SLR Cameras Review





Opteka Underwater Case/Housing for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i & T2i Digital SLR Cameras Feature


  • Underwater housing for up to 30 feet depth
  • Secure thumb screw clamp closure system
  • Double-coated PVC Vinyl with UV Coated Lens Cover
  • Accordion style lens tube with two finger adjusters gives user full control
  • Dimensions: 10" X 8" X 6.5" (L X H X W)



Opteka Underwater Case/Housing for Canon EOS 1D, 5D, 7D, 10D, 20D, 30D, 40D, 50D, 60D, Rebel XT, XTi, XS, XSi, T1i & T2i Digital SLR Cameras Overview


The Opteka UC-SLR underwater housing will protect your digital SLR camera while swimming, boating, skiing, fishing, snorkeling and scuba diving (up to 30 feet). Features a secure clamp closure, accordion lens tube with two finger adjusters, UV coated lens cover, neck strap and deluxe carry case. Will work with any digital SLR camera up to 8" X 8" with lenses up to 80mm in diameter (The accordion lens tube can extend up to 5")


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Sunday, 20 March 2011

Employ Camera Lens Approach for "Final Freedom"

camera lens


Victor Frankl, author of Man's Search for Meaning, called our ability to choose how we respond to circumstances our "final freedom."

Think about this for a moment. We can respond to the events in our lives in one of three ways: positively, negatively or neutrally. Even in difficult times, when we do not seem to have many or any choices, we still posses this final freedom that allows us to choose how we respond to our circumstances.

That's a good thing to know, and it's a good idea in theory. However, how can we implement this idea in the real world? One way is to get your brain to function like a camera, especially when facing difficult circumstances. Instead of thinking "what do I see?," think in terms of "what would the lens of a camera see if a picture could be taken of this event or these circumstances?"

The camera lens captures only the facts. However, unlike a camera, your brain provides all types of emotional input. When you "see" something, light waves bounce off objects in your environment and are instantaneously converted by your visual sensory organs into the only language the human brain understands, electrical impulses.

These impulses race around the neural pathways in your brain and trigger responses from many different areas, including the parts of your brain associated with memory. This process builds a mental image of what you have observed. Therefore, what you "see" is heavily influenced by your memories, what you want to see, what you fear, other emotions and so forth and so on. That's why three people can see the same thing and respond in three totally different ways: positively, negatively or neutrally.

OK, I've brought up this positive, negative, neutral thing twice now. This is the key to exercising your final freedom. If you accept the premise that you have these three choices, you can pre-decide which choice will help you get the best results in life. My vote is to get in the habit of consistently choosing a positive response, occasionally choosing the neutral response and eliminate or minimize negative responses.

Think of this as a two-step process. When you encounter difficult circumstances, ask yourself:

What would a camera lens see?

Is there any possible way to respond positively to this event or these circumstances? If all else fails, you can always default to the "what can I learn from this and what will I do differently next time?" response. Enjoy your final freedom. Develop it and it will serve you well.

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Wednesday, 16 March 2011

15 dinge wat Dead as van hierdie dekade!

Dinge Dead as van hierdie dekade! Videobande Cd en DVD's: Vanaf hierdie jaar, die nuus stories wat ons produseer hier by Geld Praat al geskiet is, het, en uitgedeel word aan TV-stasies sonder om ooit op enige soort band. Nie net dit nie, die band-minder uitgesaai camera ons vandag bied veel hoër gehalte as enigiets wat kon dink 10 jaar gelede gewees het - en kos minder as die lens op die kamera wat ons voorheen gebruik. Reis, Real estate, Rental, & Ontspannings agente: Terwylnie dood vandag, hierdie beroep is een van vele wat deur die Internet uitgedun is. Wanneer dit tyd is vir hulle wittebrood, sal dié gebore in 2011 in staat wees om een ​​te vind? Die skeiding van werk en die huis: As jy 'n e-pos-toegeruste rekenaarsentrum is wat in jou sak, dit is nie net jou vriende wat nie kan vind jy - so kan jy jou baas. Boeke, tydskrifte, katalogusse, telefoon boeke, Persoonlike Mail, bank of versekering fakture, en koerante: Soos video tape, woorde geskryf op dooie bome is op hul pad uit.Seker nie, kan daar boeke - maar vir diegene wat vandag gebore word, winkels wat bestaan ​​alleenlik aan hulle wil verkoop sal word so baie soos rekord winkels is nou. Home Phone & Lang afstand: Dankie aan die Internet, die dae van betaal meer om te praat met iemand in die volgende stad, staat, of selfs land beperk is. Dial-up Internet: Hoewel nie almal is op breëband, dit sal nie lank wees voordat dial-up internet gaan die pad van die plug-in die telefoon. Vergeet vriende: Onthou wanneer 'n ou vriend sou bring aan iemand wat jy gaan...

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Sunday, 13 March 2011

Review of the Canon Wide Angle Lens - The EF-S 10-22mm F 3.5-4.5 USM

camera lens


I have just received my new Canon EF-S 10-22 ultra-wide angle lens. This is one of Canon's most popular lens and is designed for the "crop sensor" series of DSLR. More on what a crop sensor is later. My first thought after a couple of frames is "Wow, this is really wide, it wraps around my block."

The question of the day is why do I need a 10-22mm wide angle lens. I already have a EF-S 18-55 zoom that came with Canon X1i camera. So what am I going to do with that extra 8mm of width for a wide angle shot. That 8mm is like a football field when I am shooting a landscape in the distance (well maybe not quite a football field, but close).

There is a great need for those of us that shoot landscapes for a wide angle lens. As you might notice in my landscapes I tend to shoot very wide shots with mountains or red rocks in the foreground and the horizon in the distance. I have been shooting most of my landscapes at 18mm with my kit lens on the T1i. That means that I am shooting at 28.8mm in film 35mm size. This is because the T1i is a crop sensor camera with a factor 1.6x.

Now I have to explain the crop sensor stuff. Suffice to say that there are three ratios of crop sensors in the Canon line of cameras; full sensor, 1.3x, and 1.6x. This refers to the ratio of the sensor (the computer chip that sees the image and translates it to digital). The full sensor is the same size as the 35mm camera of years past. The two other ratios are, in effect, a subset of the full sensor and the 35mm film size. For practical purposes this means that the full sensor would see the entire football field, the 1.3x sensor would see inside the 20 yard lines and the 1.6 factor would capture inside the 30 yard lines. Now, you math majors out there do not hold me to the exact proportions, I am just trying to illustrate the concept.

Here is a list showing what Canon cameras have which sensor:


Canon EOS 1Ds, Mark II and II (Full Frame)
Canon EOS 5D and 5D, Mark II (Full Frame)
Canon EOS 1D, Mark III,IV (1.3x Crop Frame)
Canon Digital Rebel, T1i,XSi,XS (1.6x Crop Frame)
Canon EOS 20D,30D,40D,50D,7D (1.6x Crop Frame)

Now what does all this have to do with me wanting, needing, lusting after a 10-22mm wide angle? Now you know that this lens will fit on my camera (whew, that took a long time). You will also know that the 10mm, the widest of the wide angle, is really a 16mm on my camera compared to how it looks on a full frame camera. That is still very good and will capture really ranging views of those red rocks that I am so fond of.

What about the other characteristics of the lens? All the reviews I have read show it to be a very high quality "glass." Canon designates their top-of-the-line lenses with the letter "L" in the description. Although the EF-S 10-22 f/3.5-4.5 does not carry the "L" designation, the use of three aspheric elements and one SD element is a common characteristic of a quality lens. My first first shots with the lens left me with the impression of how clear and sharp it is.

This has quality optical parts and is not a "low-end, consumer type lens". Some pundits have suggested that if it had not been an EF-S type lens, it might have received the "L" designation, but since it will not fit on a pro level DSLR (EOS 5D,1Ds series), Canon did not give it a "professional" L designation. In fact, no EF-S lenses have the "L" designation to date.

EF-S lenses, of course, are designed for use only with APS-C (1.6x) sensor Canon DSLRs and will currently only physically mount on the Digital Rebel series, and EOS 20D,30D,40D,50D 7D. The EF-S design allows the rear element to be closer to the sensor then with EF lenses, improving image quality, especially at the shortest focal lengths. The "S" in EF-S means "short back focus" and now you know why.

There are many technical reasons that this lens is good for wide shots and landscapes. The reviews have shown that it is very sharp and very fast when auto focusing. On the negative side I will note that, if you use this lens when looking at a person up close it will make them look like they are standing in the circus exhibit with the distorted mirrors. It is clearly designed for those shots that are as wide as all outdoors.

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Friday, 11 March 2011

DiCAPac WPS10 Waterproof Case for SLR/DSLR Cameras 230 x 270 x 190mm

Buy DiCAPac WPS10 Waterproof Case for SLR/DSLR Cameras 230 x 270 x 190mm Order Today!


Design by :
DiCAPac
Over All Rating Reviews :

Great Deal :
$89.68
Date Created :
Mar 11, 2011 04:42:03
The DICAPac WP-S10 Waterproof Case will protect your SLR camera when you are using it at the beach, swimming, kayaking, skiing, fishing, sailing, snorkeling or diving. This is a PVC vinyl housing with a polycarbonate lens. It can be used with SLR cameras. The housing meets JIS IPX8 requirements for underwater usage.

Read More Full Content...

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Tuesday, 8 March 2011

Basic Digital Camera Accessories - Filters Made For Digital Cameras

camera lens


As any one who owns a digital single lens reflex camera will attest lenses can be quite an investment. Lenses that are optimized for digital project an image onto the camera sensor with high contrast, good color and sharp focus. As photographers we really do get a lot for our money when we purchase a lens. So why do we then install a regular old filter instead of one made to match the lenses optical quality?

I mentioned digitally optimized lenses before, but just what does that mean? While these lenses have several features that make them especially well suited to digital photography one of the main benefits lies in the coatings applied to the glass of the lens. Standard lenses have coating applied to almost every internal and external surface yet they tend to only have an anti-reflective coating on the exterior surface of the front element only. Digital lenses have the anti-reflective coating applied to all surfaces of the glass and this is a key component.

The image sensors used inside digital cameras is highly polished and reflective. This isn't a design flaw, it's the only way they can be made in order to achieve sharp and focused images. Unfortunately it's the very reflectivity of the sensor that causes imaging problems.

As light from our subject passes through the camera lens it focuses on the image sensor. But because the sensor is so reflective some of that light bounces back up through the lens. Older lenses or those not digitally optimized lack the anti-reflective coatings on the back sides of the glass elements. The light that has bounced off of the image sensor strikes these uncoated elements and reflects once again back down to the image sensor. This twice reflected light is now out of focus and causes ghosting and loss of contrast in our image.

We can see that if the lens is made with anti-reflective coatings on the backsides of the elements that we can eliminate a significant source of image ruining stray light. The same principle applies to lens filters. It's difficult to find a filter without coatings; all of them in fact are coated in one way or another. However like the lenses just discussed standard filters lack the coatings on the backside of their glass.

Filters optimized for digital cameras have anti-reflective coatings on the back side of the glass element. Our digital lenses do a great job of not bouncing back reflected light to our camera's sensor, filters made for digital complete the job and allow the camera to capture the very best image.

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Saturday, 5 March 2011

CameraConcierge.com Nikon 200mm f/2.8 70-VR II Video Review

Zachary Long van CameraConcierge.com resensies die Nikon 200mm f/2.8 70-VR II. Huur van die Nikon 200mm f/2.8 70-VRII lens aanlyn by www.cameraconcierge.com - Atlanta Camera & Lens huur. Video geskiet deur FengLong Photography www.fenglongphoto.com Musiek: "Test Drive" deur Zapac - gebruik onder Creative Commons - Attribution 3.0 Unported creativecommons.org

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Wednesday, 2 March 2011

Panama Real Estate For Sale / Rent | Vista Marina 21 Verdieping Ocean Front Condo

Panama Real Estate For Sale / Te huur (Listing - www.property-panama.com) Dit is vir verkoop en te huur ware boedel op Balboa Laan in Panama City, Panama het 1 slaapkamer, 1,5 badkamer en is geleë in die nuwe Vista Marina Luxury Condominium gebou op Avenida Balboa en Calle Uruguay in Panama City, Panama. Hierdie moderne ontwerp verstrek 1 slaapkamer is 92m2. Daar is amazing vloer tot plafon vensters met uitsig oor die Stille Oseaan, Punta Paitilla en Casco Viejo in die hoofslaapkamer en die lewekamer. Die woonkamer kom toegerus met 'n groot plat TV skerm en sagte wit leer bank, die eet-kamer met' n moderne eetkamer tafel en stoele, en 'n slanke kombuis met vlekvrye staal toebehore en graniet counter tops. Af in die kombuis daar lê ook 'n kas met' n wasmasjien en droër sowel as 'n kamer vir die stoor. Die ruim slaapkamer het vloer tot plafon menings van Panama City en die Oseaan met 'n moderne ontwerp king size bed,' n lessenaar, en 'n aansienlike loop-in die kas met' n kluis.Die meester bad het 'n graniet tevergeefs en' n elegante teëlwerk in. Die Vista Marina gebou op Balboa Laan beskik oor 'n prima boonste verdieping sosiale gebied met skouspelagtige stad en see uitsig. Daar is baie van die moderne ligstoelen, tropiese groen, 'n jacuzzi, swembad, gym, en party kamers. ThePanama vastgoedmarkt vinnig groei. Panama spog met 'n lewenskragtige ekonomie, belasting aansporings, mooi strande, koel berg dorpe,' n bedrywige hoofstad (Panama City), en aangename...

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Sunday, 27 February 2011

Op soek na 'Ms Locklear - volledige film

As jy buite die VSA, kan jy huur die film deur Amazon VOD. Gaan na jou land se Amazon Video On Demand site en soek vir "Op soek na 'Ms Locklear". Jy kan ook probeer: amzn.to Kry die fisiese DVD met baie van die spesiale funksies, waaronder 30 minute van verwyderde tonele, 'n direkteure se kommentaar en' n spesiale boodskap van ons: locklearmovie.com Ons voltooi die film in 2008 (nadat dit geskiet is dit in 2006 ). Dit het verskeie toekennings gewen en is beskikbaar op DVD vir meer as 'n jaar, maar ons woumaak dit vir almal beskikbaar te huur. Movie Beskrywing Op die eerste dag van skool in Ms Locklear se eerste graad klas, was Rhett & Link gevang skryf vloek op hul lessenaars. As hulle gedwing was om na binne te bly gedurende speeltyd kleur foto's van buffels, die twee seuns het 'n vriendskap wat vir meer as 20 jaar geduur het. In die somer van 2006, die internet comedy duo besluit om hul poging om die bande met Ms Locklear te dokumenteer. Hulle sou voorkom moderne vorm van kommunikasie. In plaas daarvanvan Googlen Ms Locklear, sou hulle uitsluitlik staatmaak op die gesig-tot-aangesig kontak met mense. Min het hulle geweet dat hierdie parameters hulle sou lei in die middel van 'n onbekende stam van Inheemse Amerikaners, die Lumbee van Noord-Carolina, en transformeer wat was bedoel om' n doku-eksperiment word in 'n uur-lange film ryk aan humor en die hart . Selfs meer serendipitously, Rhett & Link kom op die toneel heel aan die hoogtepunt van die stam se eeu-lange politieke stryd om identiteit. 'N verhaal van' n...

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Thursday, 24 February 2011

Lorex RW2S Road Warrior In-Car Camera and DVR with GPS Tracking

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Date Created :
Feb 24, 2011 19:30:10
Wondering where your vehicle has been driven by the kids, friends, employees? Stay connected at all times with the new Lorex Road Warrior Mobile Security Camera and DVR. This device brings the latest in video security technology to your car, truck, or RV. The Road Warrior is easy to install and use. Just mount the Road Warrior to the windshield and plug in the cigarette lighter power adapter. The Road Warrior features two high resolution wide angle cameras: a front-facing camera to capture the driver’s view and an in car video camera to record video from the cabin. Car camera video is recorded to the included 4GB SD card. Built-in night vision in car camera ensures you never miss anything once the sun sets. The Road Warrior comes equipped with a sophisticated GPS tracking antenna that will tell you your exact coordinates and speed. When you've finished driving, simply remove the 4GB SD memory card (included) and insert it into your computer. The Google Maps feature in Lorex Viewer lets you track the position of the vehicle in real time.

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Monday, 21 February 2011

FredRanger_Videocast_04 | Die terugkeer van die rat en Nikkor 24-70mm unboxing

Unboxing my nuwe Nikkor 24-70mm lens 2,8 na 'n lang wag en weer op dreef met kamera rat nadat dit gesteel het.

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Friday, 18 February 2011

RXP: LensProToGo review / Nikon 24-70mm lens huur

Lens verhuring van LensProToGo.com Awesome maatskappy sake te doen met sowel as redelike pryse. Lewering deur UPS is ook ingesluit in die prys. Gehuur die Nikon 24-70mm 2,4 www.robertxphotography.com robertxphotography.blogspot.com www.lensprotogo.com

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Tuesday, 15 February 2011

Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera

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$669.00
Date Created :
Feb 15, 2011 08:17:05
Sigma's new 17-50mm F2.8 EX DC OS HSM large-aperture standard zoom lens covers a focal length from 17mm wide angle and offers a large aperture of F2.8 throughout the entire zoom range, making it ideal for many types of photography especially portraiture and landscapes. The OS, Sigma's anti shake feature offers the use of shutter speeds approximately 4 stops slower than would otherwise bepossible. The OS feature allows Sony and Pentax users the option of viewing a stabilized image in the viewfinder, a feature offered only by Sigma. HSM provides fast and quiet AF. Sigma's own FLD glass elements, which have performance equal to fluorite along with two glass mold and one hybrid aspherical lens, provide excellent correction for all types of aberrations. The Super Multi-Layer coating reduces flare and ghosting. This lens boasts superior peripheral brightness and provides sharp, high contrast images even atthe maximum apertures. With a minimum focusing distance of 11 inches throughout the entire zoom range and a magnification ratio of 1:5. When you need to stand ready for any photo opportunity you need a fast aperture so you can shoot in low existing light or at maximum range with a flash. This Sigma lens is perfect. With its compact size and light weight, it's a necessary addition to your camera bag Please Note Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.

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Friday, 11 February 2011

Santa Clara Vanguard - DCI Finals 2009 Horn Warmups

Nie 'n perfekte opname, maar wat op' n Canon 5D MKII met 'n 70-200mm lens IS f/2.8L. Eerste keer die gebruik van die kamera en die verhuur het nie 'n driepoot.

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Tuesday, 8 February 2011

Sigma 120-400mm f/4.5-5.6 AF APO DG OS HSM Telephoto Zoom Lens for Nikon Digital SLR Cameras

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$899.00
Date Created :
Feb 08, 2011 11:00:13
This telephoto zoom lens incorporates Sigma's original OS (Optical Stabilizer) function. It offers the use of shutter speeds approximately 4 stops slower. Three SLD (Special Low Dispersion) glass elements provide excellent correction for chromatic aberration. This lens is equipped with the rear focus system that minimizes fluctuation of aberration caused by focusing. It provides optimum image quality throughout the entire zoom range. The super multi-layer coating reduces flare and ghosting. High image quality is assured throughout the entire zoom range. The minimum focusing distance of 150cm (59.1") throughout the entire zoomrange and has a maximum magnification of 1:4.2 make it useful for close-up photography. This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed AF as well as full-time manual focusing capability. The addition of the optical 1.4x EXDG APO or 2x EX DG APO Tele Converters produce a 168-560mm F6.3-8 MF ultra-telephoto zoom lens or a 240-800mm F9-11 MF ultra-telephoto zoom lens respectively.

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Saturday, 5 February 2011

Puerto Rico - Isabela, Puerto Rico ('n foto van die berg MOCA in Puerto Rico, Isabela blog)

'N TripAdvisor ™ TripWow video van' n reis blog te Isabela, Puerto Rico deur TravelPod blogger Acollins. Sien hierdie TripWow en meer by tripwow.tripadvisor.com Puerto Rico "Dit was skaars mid oggend en die humiditeit, hang swaar in die lug, het reeds weg gesmelt my make up. Met net een doel in gedagte, ek swaai my kamera oor my bors en gaan sit in die passasiers kant blink rooi verhuur. Soos ons zipped deur die kronkel paaie van Isabela, het net vyf minute verby voor die gevoel van pure bliss vakansiebegin vee oor my. Ander lede wat op die agterste sitplek was besig gesels in Spaans, breek foto's oor die verkeer of openlik te kla oor die bestuurder se hoë spoed. Gehipnotiseer deur die oorvloedige kleure, my oë net gedans langs die golwende heuwels van die horison, opsporing elke berg bo langs ons reis. Die kuslyn van Jobos Beach het in die oog net na tien. By ons in die parkeerterrein was vars groepe van toeriste met fanny packs en kameras gespan oor hulle. Geen tydwas verlore klim die klipperige randjie te Jacinto se Wel, of El Pozo De Jacinto. Bo op 'n asemrowende uitsig, ek vreemd waargeneem van' n ouer Puerto Rikaanse man skree iets in die bruisende akwamaryn. Stepping nader, "Dame la vaca" (gee my die koei) was een frase maklik onderskei oor die gekraak golwe. Ek peered uit agter die lens van my kamera, so ver as die oog kon sien was shell verstrooi is, scissored walle al gevoer deur sagte cirrus val. Na vaslê van 'n paar...

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Wednesday, 2 February 2011

Nanuk Plasticase - NAB 2010 - speel

Aantreklike gestuur gevalle gemaak in Kanada

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Sunday, 30 January 2011

Hanteer vir RED 'n kamera

Hier is 'n nuwe hanteer stelsel vir die rooi een Camera. Toelaat om verskeie montage punte sowel as 'n isolasie plaat vir RED dryf. Dit is uiters sterk, veelsydige, en goedkoop.

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Wednesday, 26 January 2011

Nuwe In Zacuto huur: ZEISS Compact Prime CP2 Cooper

Hulle het aangekom! Die veel verwag Zeiss Compact Prime CP2 Lense is nou beskikbaar by Zacuto huur en kan enige plek landwyd gestuur. Spesifiek gerig op die HDSLR baster mark, is hierdie cine-styl lense ontwerp vir shooters wat tot teater styl skiet gewoond is en die behoefte uiterste akkuraatheid in fokus en 'n groter opening beheer. Nou beskikbaar vir verhuring: Zeiss lense in 21mm CP2, 28mm, 35mm, 50mm en 85mm. Kontak Leo of Joe vir die huidige beskikbaarheid en pryse opsiesby 312.863.3453 of e-pos joe@zacuto.com. Kom kyk na die bekendstelling van die nuwe CP2 lense op die video hierbo. Met: Jens Bogehegn en Leo Koesterer. Maak gereed vir die volgende groot wedstryd wisselaar in DSLR rolprent! Besoek Zacuto huur vir meer inligting: www.zacuto.com

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Thursday, 20 January 2011

Nikon D5000 Lens Review

camera lens


Nikon D5000 lens is the best type that will match your favorite camera in every photo session that you're in. Many people nowadays are enthusiastic and fanatic of quality images and photos since it hold timeless and precious moments that are captured in one shot. No wonder why manufacturers of cameras are offering various products with high-end features.

If ever you want to pursue your career in the field of photography, you need to learn the tricks. One best tip is to learn how to pick the best lens that is compatible with your camera. Make sure to seek the advice of a professional if you want to know what lens matches your item. There is no doubt that Nikon D5000 is created to satisfy your concern. Nowadays, there are lots of innovations that pave way to unique designs. A lot of advertisements online will give you array of selections for the best lens but it is always best to choose the lens type with similar brand of your camera. This action will save your camera from incompatibility issues that might cause damage to your item.

There are lots of lenses that can be use for the Nikon DSLR D5000 cameras but lens made of Nikon quality are truly outstanding in the eyes of consumers. Nikon guide mode intuitive controls and the on-board guide mode could assist you in every step of the way. Features were highlighted to enhance optical zoom and manual focusing for one to enjoy a close up photo even though you're distance away from the scene.

Easy to use features plus automatic disclosure scene makes everything perfect. Simply set the mode dial to landscape, child, close-up, portrait or night portrait for you to capture the best shots of the event. It has unique and easy editing functions including soft filter, red-eye correction and trim. Feel glad with its safeguarding image quality shot after shot and automatic image sensor cleaning ultrasonic process. The automatic lens distortion correction really works for both lens and D5000 camera.

Nikon D5000 lens is the only lens that is fully proven by many professional photographers to be worth it and guaranteed to surpass expectations. It' very easy to manipulate, handy and it will surely assist you in your daily activities like parties, birthday, and festivities without hassle. It is also environment-friendly in all its aspects. It is one of the valuable things that will truly help you in fulfilling both your hobby and career.

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Monday, 17 January 2011

Canon GL2 Mini DV Camcorder | Canon GL2

www.canon-gl2.org Canon GL2 Beskrywing Jy kan jou GL2 beurt in 'n nog camera deur oor te skakel tot 1.7-megapixel foto af en vang' n hoë-resolusie foto's op die camcorder se MultiMedia Digital kaart. (Een 8 MB Secure Digital kaart is ingesluit by die GL2.) Die volle-raam beelde is vry van tyd-lag vervaag. 'N ses-mes omsendbrief iris, soos gevind op Canon se top-van-die-lyn XL1 en XL1S modelle, word gebruik vir professionele blootstelling beheer, help pragtige video en nog foto's te lewer.Insette en uitsette Die GL2 kom met die standaard DV IEEE 1394 poort (ook bekend as FireWire) vir 'n super-vinnige, verlieslose aansluiting by' n rekenaar of ander DV masjiene. Jy kan ook toegang tot jou rekenaar via 'n USB-verbinding na nog aflaai van foto's. Die GL2 is ontwerp om twee tipes van analoog insette en uitsette te hanteer: die gebruik van klank en video kabels (saamgestelde) of S-video. Beide verbindings is op die kamera terug. Meer funksies Drie skiet modi: gewone film af, digitale foto af, en die teater-agtige raamfilm af. Die Custom Sleutel funksie kan jy skep en stoor jou eie persoonlike instellings sodat jou gesonde skiet modes kan maklik gedupliseer word. Digitale effekte word aangebied vir 'n groter verskeidenheid beelding, insluitend fader, sepia, strobe beweging, en swart en wit. Met die Interval Timer funksie, kan jy rekord vir 'n geselekteerde tyd met' n geselekteerde interval - gerieflik vir die natuur waarnemings soos blomme of sonsondergange. Besoek asseblief www.canon-gl2.org Kry die beste prys en Orde Vandag terwyl voorraad...

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Thursday, 13 January 2011

Experiment With Your Camera

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There is an ancient Chinese proverb that goes something along the lines of, "I hear and I forget, I read and I remember, I do and I understand." Wiser words could not have been said when concerning photography and our equipment. We are inundated with magazines, books, and DVDs showing us exactly how to do something and its effect on our photographs but how many of us actually go out there and set up our own experiments?

We might try a few different f/stops when we are out in the field looking to get just the right depth of field. We may play around with shutter speeds and struggle with the LCD to figure out if we got the motion blur we wanted. And who even knows what, "Second Curtain Synchronization" means? But to actually set up an experiment and check the results? It's a rare person that does such things.

The reason why I am writing this today is to encourage you to get to know your camera (and the physical qualities of photography in general) better. And the best place to start is with your owner's manual. Just start out at page one and as soon as the manual describes a mode or function and its result, recreate their experiment utilizing the environment around you. Take the time to go through the whole manual this way. But don't move on to the next chapter until you completely understand the one you are in. This exercise alone will elevate your photography skills to levels you probably never dreamed of.

The manual for my camera does not go into Depth of Field very deeply at all. The manufacture assumes we understand this and for the most part, most of us do on a superficial level. But there is nothing like setting up an experiment to see exactly how your lenses react at different focal points and aperture settings. The best way to start really understanding depth of field is to start at the nearest focal point the lens can focus to. Place a yard stick perpendicular to the camera/lens with the "1" closest to the camera and the "35" furthest away. With the lens set at its closest focal setting move the yard stick or camera/lens so that "18" is in focus. Your lens is always at its widest opening (narrowest depth of field) for focusing so what you see when you view the scene through the viewfinder is the narrowest you can get with that lens. Now start taking pictures of the yardstick beginning at the widest aperture (f/1.8, f/2.8, etc) and stop down until you achieve the smallest aperture (f/22 or so). You will have to adjust shutter speed to achieve proper exposure for the changes in aperture. Review these captures on your computer to see exactly what happened.

After that try doing it with the lens focused to infinity. You will need a lot more than a yardstick when focused to infinity but a row of houses, a line of cars, or any continuous repeating pattern will work just fine. Repeat the experiment above and review in the computer. Also compare the infinity focus pictures with the pictures taken at the closest focal point and note the difference. You will notice that as you focus out further, the depth of field gets wider. Now try this experiment with a different lens.

After you have tested all of your lenses for depth of field and understand the effect on your particular camera kit, move on to experimenting with shutter speeds. The best way I find to do this is to sit on the side of the road and start taking pictures of cars passing by. Use a normal lens and start out at about 1/25sec and shoot each shutter setting up to around 1/500sec (this will depend on the speed of the cars). Download your captures to the computer and review the findings. Once you see that the cars are stopped, start looking at the tires to see if they are frozen. You can further refine this experiment with kids on bikes provide they will cooperate. Another place to try this experiment is at running/jogging events most communities have throughout the year. You won't need to go anywhere near 1/500sec though.

After you do these two experiments, new experiments will come to mind naturally through your photography. Don't miss an opportunity to do a new experiment as you will learn things at a completely different level than by just reading about it. This will also expand your photography capabilities and give you the confidence to say, "Yes, I can do that." Happy shooting!

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Monday, 10 January 2011

Paitilla Condo Uitvoerende verhuur | Panama City Real Estate

Foto's & huur bespreking: www.rentinpanamacity.com Hierdie 940ft2 ten volle toegerus met een slaapkamer woonstel te huur in die gegoede buurt in Panama Paitilla City, Panama. Hierdie een slaapkamer, een en 'n half badkamer boonste verdieping woonstel te huur is nuut opgeknapte met al die top van die lyn toestelle (LG mikrogolf, Samsung yskas, Frigidaire wasmasjien en droër, ens), en het alles wat jy sal nodig het van handdoeke gereedskap , die ekstra slaap plek op die bank bed en blaas matras met elektriesepomp. Hierdie condo te huur in Panama spog met 'n aantreklike leef area met' n 42 duim plat skerm LG TV, 'n donker hout tafel en' n gebou in persoonlike bar met graniet countertops. Die kombuis is voltooi met 'n pragtige graniet countertops en ruim kabinet ruimte. Die meester suite het 'n ruim size bed, baie van die kas ruimte,' n LG platskerm-TV, en 'n elegante meester badkamer. Dit is vir huur Paitilla condo het teël vloere blink in die hele, pragtige uitsig van die Paitilla skyline, en 'n primageleë, naby aan al die mees geskikte, luukse geriewe in Panama. Hierdie condo kom met 'n 24 uur. veilige parkeerplek, kontemporêre meubels, en 'n prima ligging. Skuif na regs in hierdie te huur condo in Paitilla, Panama, toegerus met alles wat jy kan nodig het, terwyl 'n verblyf in Panama. Foto's & huur bespreking: www.rentinpanamacity.com Toll Free (VSA en Kanada): 1-888-922-5252 of + 507 263-9705 (City Office) of + 507 240-1249 (Beach Office) Lic. PJ 0539-07 Panama Sol Realty Plaza...

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Friday, 7 January 2011

Digital Cameras: Caring for the Camera Lens

camera lens


The popularity of a digital camera is due in part to the vivid, life like photographs that it can produce. The lens of a camera is the key to creating these clear, sharp images. However, dust, fingerprints, scratches, and other dirt and smudges can destroy contrast, produce pictures that appear out of focus, and eventually can result in the expense of having to replace the lens, or camera, altogether.

Obviously, proper care can help extend the life of the lens and assure better quality images. Following just a few basic tips can go a long way in assuring a digital camera lens does not fail.

* Avoid contact with the camera lens when possible. Keeping the lens cover on and placing the camera in the bag when not in use can shield it from dust and other potential damage. Basically, anything that comes in contact with the lens of a digital camera can damage the special coatings that allow the lens to function properly. Extra care should be taken when shooting pictures to assure that the lens is not touched as it is grasped in the hands.

* Keep lenses away from excessive heat which can breakdown the greases used within the barrel of the lens.

* Add a UV filter over the camera lens as an extra layer of protection.

* Keep the lens dry. Moisture whether from your breath, condensation, a cleaner or another source can create fogging and, in some case, can warp the lens housing. Because of the potential damage from moisture, care must be taken in exposing your camera to cold as condensation may form when it is returned to a warmer environment.

* Remove visible particles from the lens without touching it when possible. Using an ear syringe or special dust blower is the preferred method. Soft bristled brushes are available as well but care must be taken to assure that the brushes are clean and do not scratch the surface of the camera lens.

* Remove fingerprints and smudges with a dry microfiber cloth. Lens cleaning fluids are available and can also be applied to the microfiber cloth as needed. The fluid should not be applied directly to the lens. Only cleaners made specifically for camera lenses should be used; do not use cleaners made for eyeglasses.

* Use extra care in harsher environments. As described above heat and cold extremes can cause damage to lenses as well as the camera itself. Because cameras travel with us however, they are sometimes exposed to environments that are somewhat "hostile". Thus, extra precautions are sometimes necessary. For instance, in extremely cold weather it is generally best to carry the camera close to the body, perhaps covered by a coat to keep it warmer. On rainy days wrapping the camera in a plastic bag can help shield it from the moisture. The beach can also be hostile due to the potential exposure to wind, sand, moisture, and heat. Again, covering the camera with a plastic bag and shading it from the sun are good preventative measures.

Reducing contact and exposure to contaminants, proper cleaning, and protecting the lens from extreme environments are key to assuring the longevity of a camera lens. These basic precautions entail minimal expense and time commitment and can become second nature very quickly to beginning photographers.

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Tuesday, 4 January 2011

Panasonic Pro AG-DVX100A 3-CCD MiniDV Proline Camcorder w/10x Optical Zoom

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Jan 04, 2011 19:19:13
The AG-DVX100A is equipped more than 20 new user-requested features including: enhanced 24p and 30p progressive mode functions; improved color reproduction; new cine-like gamma curves and enhanced image adjustments; a slow shutter function for higher sensitivity and dramatic motion effects; smoother zooming and focusing; a new squeeze mode for 16:9 recording; and new auto focus assist and interval recording modes for improved ease and versatility. Panasonic has outfitted the AG-DVX100A with a new prism to deliver the best picture quality in its class. New on-chip lens design delivers more than 500 lines of horizontal resolution, lower flare and smear, and a high F11 sensitivity, allowing the camera to record at 3 lux (at +18dB) for nighttime acquisition. Native progressive-scan CCDs eliminate interlace artifacts including horizontal jaggies and motion-edge tearing. Large Electronic Viewfinder 3.5 Color LCD Monitor Built-In SMPTE Time Code Generator/Reader External Backup with the IEEE 1394 Synchro Lock Function XLR Input

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