Check Out ContourHD 1080p Full HD Helmet Camera for $228.95

ContourHD 1080p Full HD Helmet Camera Review

ContourHD 1080p Full HD Helmet Camera Feature

• Full HD Recording (1080p) - 1920x1080 pixels - 30fps
• 5 Megapixel Sensor
• Internal Microphone
• Removable Lithium-Ion Battery; records up to 4 hours
• Aluminum and Fiberglass Water Resistant Body

ContourHD 1080p Full HD Helmet Camera Overview

A water-resistant camera for all seasons, its light (4.3 ounces/123 grams) anodized aluminum body withstands dust, dirt, mud, and snow. It is also shock, vibration and impact resistant.

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Employ Camera Lens Approach for "Final Freedom"

Victor Frankl, author of Man's Search for Meaning, called our ability to choose how we respond to circumstances our "final freedom."

Think about this for a moment. We can respond to the events in our lives in one of three ways: positively, negatively or neutrally. Even in difficult times, when we do not seem to have many or any choices, we still posses this final freedom that allows us to choose how we respond to our circumstances.

That's a good thing to know, and it's a good idea in theory. However, how can we implement this idea in the real world? One way is to get your brain to function like a camera, especially when facing difficult circumstances. Instead of thinking "what do I see?," think in terms of "what would the lens of a camera see if a picture could be taken of this event or these circumstances?"

The camera lens captures only the facts. However, unlike a camera, your brain provides all types of emotional input. When you "see" something, light waves bounce off objects in your environment and are instantaneously converted by your visual sensory organs into the only language the human brain understands, electrical impulses.

These impulses race around the neural pathways in your brain and trigger responses from many different areas, including the parts of your brain associated with memory. This process builds a mental image of what you have observed. Therefore, what you "see" is heavily influenced by your memories, what you want to see, what you fear, other emotions and so forth and so on. That's why three people can see the same thing and respond in three totally different ways: positively, negatively or neutrally.

OK, I've brought up this positive, negative, neutral thing twice now. This is the key to exercising your final freedom. If you accept the premise that you have these three choices, you can pre-decide which choice will help you get the best results in life. My vote is to get in the habit of consistently choosing a positive response, occasionally choosing the neutral response and eliminate or minimize negative responses.

Think of this as a two-step process. When you encounter difficult circumstances, ask yourself:

What would a camera lens see?

Is there any possible way to respond positively to this event or these circumstances? If all else fails, you can always default to the "what can I learn from this and what will I do differently next time?" response. Enjoy your final freedom. Develop it and it will serve you well.

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Basic Digital Camera Accessories - Filters Made For Digital Cameras

As any one who owns a digital single lens reflex camera will attest lenses can be quite an investment. Lenses that are optimized for digital project an image onto the camera sensor with high contrast, good color and sharp focus. As photographers we really do get a lot for our money when we purchase a lens. So why do we then install a regular old filter instead of one made to match the lenses optical quality?

I mentioned digitally optimized lenses before, but just what does that mean? While these lenses have several features that make them especially well suited to digital photography one of the main benefits lies in the coatings applied to the glass of the lens. Standard lenses have coating applied to almost every internal and external surface yet they tend to only have an anti-reflective coating on the exterior surface of the front element only. Digital lenses have the anti-reflective coating applied to all surfaces of the glass and this is a key component.

The image sensors used inside digital cameras is highly polished and reflective. This isn't a design flaw, it's the only way they can be made in order to achieve sharp and focused images. Unfortunately it's the very reflectivity of the sensor that causes imaging problems.

As light from our subject passes through the camera lens it focuses on the image sensor. But because the sensor is so reflective some of that light bounces back up through the lens. Older lenses or those not digitally optimized lack the anti-reflective coatings on the back sides of the glass elements. The light that has bounced off of the image sensor strikes these uncoated elements and reflects once again back down to the image sensor. This twice reflected light is now out of focus and causes ghosting and loss of contrast in our image.

We can see that if the lens is made with anti-reflective coatings on the backsides of the elements that we can eliminate a significant source of image ruining stray light. The same principle applies to lens filters. It's difficult to find a filter without coatings; all of them in fact are coated in one way or another. However like the lenses just discussed standard filters lack the coatings on the backside of their glass.

Filters optimized for digital cameras have anti-reflective coatings on the back side of the glass element. Our digital lenses do a great job of not bouncing back reflected light to our camera's sensor, filters made for digital complete the job and allow the camera to capture the very best image.

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Lorex RW2S Road Warrior In-Car Camera and DVR with GPS Tracking

Buy Lorex RW2S Road Warrior In-Car Camera and DVR with GPS Tracking Order Today!

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Wondering where your vehicle has been driven by the kids, friends, employees? Stay connected at all times with the new Lorex Road Warrior Mobile Security Camera and DVR. This device brings the latest in video security technology to your car, truck, or RV. The Road Warrior is easy to install and use. Just mount the Road Warrior to the windshield and plug in the cigarette lighter power adapter. The Road Warrior features two high resolution wide angle cameras: a front-facing camera to capture the driver’s view and an in car video camera to record video from the cabin. Car camera video is recorded to the included 4GB SD card. Built-in night vision in car camera ensures you never miss anything once the sun sets. The Road Warrior comes equipped with a sophisticated GPS tracking antenna that will tell you your exact coordinates and speed. When you've finished driving, simply remove the 4GB SD memory card (included) and insert it into your computer. The Google Maps feature in Lorex Viewer lets you track the position of the vehicle in real time.

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Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera

Buy Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture Standard Zoom Lens for Canon Digital DSLR Camera Order Today!

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Sigma's new 17-50mm F2.8 EX DC OS HSM large-aperture standard zoom lens covers a focal length from 17mm wide angle and offers a large aperture of F2.8 throughout the entire zoom range, making it ideal for many types of photography especially portraiture and landscapes. The OS, Sigma's anti shake feature offers the use of shutter speeds approximately 4 stops slower than would otherwise bepossible. The OS feature allows Sony and Pentax users the option of viewing a stabilized image in the viewfinder, a feature offered only by Sigma. HSM provides fast and quiet AF. Sigma's own FLD glass elements, which have performance equal to fluorite along with two glass mold and one hybrid aspherical lens, provide excellent correction for all types of aberrations. The Super Multi-Layer coating reduces flare and ghosting. This lens boasts superior peripheral brightness and provides sharp, high contrast images even atthe maximum apertures. With a minimum focusing distance of 11 inches throughout the entire zoom range and a magnification ratio of 1:5. When you need to stand ready for any photo opportunity you need a fast aperture so you can shoot in low existing light or at maximum range with a flash. This Sigma lens is perfect. With its compact size and light weight, it's a necessary addition to your camera bag Please Note Vignetting will occur if the lens is used with digital cameras with image sensors larger than APS-C size or 35mm SLR cameras.

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Experiment With Your Camera

There is an ancient Chinese proverb that goes something along the lines of, "I hear and I forget, I read and I remember, I do and I understand." Wiser words could not have been said when concerning photography and our equipment. We are inundated with magazines, books, and DVDs showing us exactly how to do something and its effect on our photographs but how many of us actually go out there and set up our own experiments?

We might try a few different f/stops when we are out in the field looking to get just the right depth of field. We may play around with shutter speeds and struggle with the LCD to figure out if we got the motion blur we wanted. And who even knows what, "Second Curtain Synchronization" means? But to actually set up an experiment and check the results? It's a rare person that does such things.

The reason why I am writing this today is to encourage you to get to know your camera (and the physical qualities of photography in general) better. And the best place to start is with your owner's manual. Just start out at page one and as soon as the manual describes a mode or function and its result, recreate their experiment utilizing the environment around you. Take the time to go through the whole manual this way. But don't move on to the next chapter until you completely understand the one you are in. This exercise alone will elevate your photography skills to levels you probably never dreamed of.

The manual for my camera does not go into Depth of Field very deeply at all. The manufacture assumes we understand this and for the most part, most of us do on a superficial level. But there is nothing like setting up an experiment to see exactly how your lenses react at different focal points and aperture settings. The best way to start really understanding depth of field is to start at the nearest focal point the lens can focus to. Place a yard stick perpendicular to the camera/lens with the "1" closest to the camera and the "35" furthest away. With the lens set at its closest focal setting move the yard stick or camera/lens so that "18" is in focus. Your lens is always at its widest opening (narrowest depth of field) for focusing so what you see when you view the scene through the viewfinder is the narrowest you can get with that lens. Now start taking pictures of the yardstick beginning at the widest aperture (f/1.8, f/2.8, etc) and stop down until you achieve the smallest aperture (f/22 or so). You will have to adjust shutter speed to achieve proper exposure for the changes in aperture. Review these captures on your computer to see exactly what happened.

After that try doing it with the lens focused to infinity. You will need a lot more than a yardstick when focused to infinity but a row of houses, a line of cars, or any continuous repeating pattern will work just fine. Repeat the experiment above and review in the computer. Also compare the infinity focus pictures with the pictures taken at the closest focal point and note the difference. You will notice that as you focus out further, the depth of field gets wider. Now try this experiment with a different lens.

After you have tested all of your lenses for depth of field and understand the effect on your particular camera kit, move on to experimenting with shutter speeds. The best way I find to do this is to sit on the side of the road and start taking pictures of cars passing by. Use a normal lens and start out at about 1/25sec and shoot each shutter setting up to around 1/500sec (this will depend on the speed of the cars). Download your captures to the computer and review the findings. Once you see that the cars are stopped, start looking at the tires to see if they are frozen. You can further refine this experiment with kids on bikes provide they will cooperate. Another place to try this experiment is at running/jogging events most communities have throughout the year. You won't need to go anywhere near 1/500sec though.

After you do these two experiments, new experiments will come to mind naturally through your photography. Don't miss an opportunity to do a new experiment as you will learn things at a completely different level than by just reading about it. This will also expand your photography capabilities and give you the confidence to say, "Yes, I can do that." Happy shooting!

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Digital Cameras: Caring for the Camera Lens

The popularity of a digital camera is due in part to the vivid, life like photographs that it can produce. The lens of a camera is the key to creating these clear, sharp images. However, dust, fingerprints, scratches, and other dirt and smudges can destroy contrast, produce pictures that appear out of focus, and eventually can result in the expense of having to replace the lens, or camera, altogether.

Obviously, proper care can help extend the life of the lens and assure better quality images. Following just a few basic tips can go a long way in assuring a digital camera lens does not fail.

* Avoid contact with the camera lens when possible. Keeping the lens cover on and placing the camera in the bag when not in use can shield it from dust and other potential damage. Basically, anything that comes in contact with the lens of a digital camera can damage the special coatings that allow the lens to function properly. Extra care should be taken when shooting pictures to assure that the lens is not touched as it is grasped in the hands.

* Keep lenses away from excessive heat which can breakdown the greases used within the barrel of the lens.

* Add a UV filter over the camera lens as an extra layer of protection.

* Keep the lens dry. Moisture whether from your breath, condensation, a cleaner or another source can create fogging and, in some case, can warp the lens housing. Because of the potential damage from moisture, care must be taken in exposing your camera to cold as condensation may form when it is returned to a warmer environment.

* Remove visible particles from the lens without touching it when possible. Using an ear syringe or special dust blower is the preferred method. Soft bristled brushes are available as well but care must be taken to assure that the brushes are clean and do not scratch the surface of the camera lens.

* Remove fingerprints and smudges with a dry microfiber cloth. Lens cleaning fluids are available and can also be applied to the microfiber cloth as needed. The fluid should not be applied directly to the lens. Only cleaners made specifically for camera lenses should be used; do not use cleaners made for eyeglasses.

* Use extra care in harsher environments. As described above heat and cold extremes can cause damage to lenses as well as the camera itself. Because cameras travel with us however, they are sometimes exposed to environments that are somewhat "hostile". Thus, extra precautions are sometimes necessary. For instance, in extremely cold weather it is generally best to carry the camera close to the body, perhaps covered by a coat to keep it warmer. On rainy days wrapping the camera in a plastic bag can help shield it from the moisture. The beach can also be hostile due to the potential exposure to wind, sand, moisture, and heat. Again, covering the camera with a plastic bag and shading it from the sun are good preventative measures.

Reducing contact and exposure to contaminants, proper cleaning, and protecting the lens from extreme environments are key to assuring the longevity of a camera lens. These basic precautions entail minimal expense and time commitment and can become second nature very quickly to beginning photographers.

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SLR Camera Lenses - Top 5 Bestsellers and Why

Many people looking to buy a second lens for their digital SLR camera are baffled by the number of lenses available. There are so many to choose from, it's easy to be overwhelmed by the choices. Check out these 5 top SLR camera lenses and discover why people love them so much.

1. Canon EF-S 55-250mm f/4.0-5.6 IS Telephoto Zoom Lens

The key to this lens is the image stabilization. The stabilization allows more photo ops without having to use a tripod. This makes for more crystal clear photos at Johnny's soccer game, or capturing a flock of birds at take-off. Image stabilization is an absolute must on a hand-held zoom telephoto lens.

2. Canon EF 50mm f/1.8 II Camera Lens

For people looking for a fixed focal length, this lens is lightweight and affordable. The images are sharp with great color balance. It's great for portraits and it focuses as close as 18 inches, so you gardeners will find this lens very useful. Most people who use this lens can't stop talking about the picture quality.

3. Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Zoom Nikkor Lens

This Nikkor telephoto zoom len also has image stabilization which they call Vibration Reduction. It's the Nikon version of the Canon listed above. The lens is ideal for sports, action, wildlife, and travel when you want a telephoto lens. The fans of this lens love it for capturing sports and action.

4. Nikon 50mm f/1.8D AF Nikkor Lens

Like the 50mm Canon lens above, this lens has a fixed focal length. But the quality of the pictures outweighs the fact that you need to move your feet around alot to get the shot. It's really versatile and should be in everyone's camera bag. Fans of this lens say it works great in low light situations both indoors and out.

5. Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR [Vibration Reduction] Zoom Nikkor Lens

This Nikkor telephoto zoom lens is great for professional or advanced amateur photographers. It helps you capture close-up sports shots and national park wildlife without standing right next to your subject. The Vibration Reductions extends the use of the camera to capture more shots while hand held. Like the telephoto lenses above, the lens is slower than a professional zoom, so it's not a good choice for action photography in lower light conditions (like indoor sports without flash or outside sports at dusk).

Now obviously, these SLR camera lenses are only suitable for Canon and Nikon camera fans. But take this information and find a lens that works with your camera. You'll explore an exciting new area of photography and take your hobby or profession to a whole new level.

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Sigma 50-500mm f/4.5-6.3 APO DG OS HSM SLD Ultra Telephoto Zoom Lens for Pentax Digital DSLR Camera

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New Sigma APO 50-500mm F4.5-6.3 DG OS HSM. This is a 10x high zoom ratio ultra telephoto zoom lens incorporating Sigma's original Optical Stabilizer function. This lens covers a wide range of focal lengths from 50mm to 500mm ultra telephoto. The OS (Optical Stabilizer) function offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. For Sony and Pentax mount, the built-in OS function of this lens can be used even if the camera body is equipped with an image sensor shift anti-shake system. As compensation for camera shake is visible in the view finder, the photographer can easily check for accurate focus and ensure there is no subject movement. Four SLD (Special Low Dispersion) glass elements provide excellent correction of color aberration. The Super Multi-Layer Coating reduces flare and ghost and ensures high image quality throughout the entire zoom range. This lens has a maximum magnification ratio of 1:3.1 (at the focal length of 200mm) making it ideal for close-up photography. This lens incorporates HSM (Hyper Sonic Motor), ensuring quiet and high speed AF as well as full-time manual focus capability. The addition of the optional 1.4x EX DG or 2x EX DG APO Tele Converters produce a 70-700mm F6.3-8 or a 100-1000mm F9-12.6 MF zoom lens respectively. This lens is equipped with a Petal-type hood to block out extraneous light. The filter size of this lens is 95mm and the lens is supplied with a step down ring enabling digital cameras with an APS-C size image sensor to use an 86mm filter. *It is not possible to use a Polarizing filter with the step down ring. If you attach a Polarizing filter, you may not be able to remove it from the lens again. *For Pentax and Sony mounts, it is not possible to use the AF and the built-in OS function of this lens when attaching it to film SLR cameras as well as Pentax K100D. *Nikon and Pentax mounts do not have an aperture ring. Some functions may not work depending on the camera model.

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Polaroid One Step Express Instant Camera, Midnight Blue

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A stylish camera that takes clear, high quality instant pictures at the push of a button / Uses Polaroid 600 Platinum film

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Factors to Consider When Buying a Camera Lens

Purchasing a DSLR or Digital Single Lens Reflex camera comes with a basic kit lens that could give decent quality pictures. But the advantage in DSLR cameras is being able to switch lenses, depending on the type of shot you want. There are powerful zoom lenses or macro lenses, for example.

Here are some factors to consider when buying a digital camera lens:
The Glass
o Focal Length - It is the actual distance in-between the focal lane of the lens and the rear element, measured in millimeters (mm). This is where the light's parallel beams enter the lens converging onto a point. It determines the viewing angle of the lens. When there is a shorter focal length, the field of view becomes wider, providing more scenes for your camera to capture. When you increase the focal length, the actual field of view becomes narrower.

o Aperture - It is one of the mechanisms that control the actual "amount of light" passing through the lens towards the image sensors. It is also referred as "f-stops," like f/2/8. The smaller the number, the larger the opening. This means more light enters the camera. Since it begins to collect additional light, a type of lens that allows you to open to a wider aperture also enables you to have a faster shutter speed. Such feature is essential in low lighting conditions to obtain sharp images, especially through a handheld camera.

o Image Stabilization - Slower shutter speed can result to blurry photos when cameras are handheld. Image stabilization counteracts the shaking, allowing one to shoot certain handheld shots amidst low lighting conditions. Canon's term for this is IS (Image Stabilization). Nikon use the term VR (Vibration Reduction).

Zoom lenses included in a variety of DSLR kits offer focal lengths ranging from 18 to 35mm. Depending on the cropping capability of the camera, it can reach up to 55mm. This means that you can go from only a moderate "wide-angle" view towards a so-called "slight telephoto."

If you have plans of expanding your digital camera's features, here are some things you need to consider:
o Prime Lenses - These should possess a longer type of zoom lens or a lone focal length between 35mm up to 85mm. Prime lenses have a better glass on them.

If you get the "fixed-length lens", there is a tendency that you will be required to move around when getting your shot. Of course, over a certain time, this will already help you make better compositions. Prime lenses also possess a wider type of maximum aperture, making it easier to get sharper shots, especially under low lighting.

o Zoom Lenses - For those wishing to get action photos, the best would be the "telephoto lens" which ranges from 100mm up to 300mm. This is due to the DSLRs crop factor. There is not much zooming needed. A good example would be Nikon D40 which has a 200mm type of telephoto lens that can turn into a 300mm one.

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Important Spy Camera Pieces

A spy camera is a complicated piece of equipment that's actually quite easy to explain. A camera lens transmits images to a receiver which then broadcasts those images on a TV screen, monitor or even on a personal computer. And while inside each component of your nanny camera is a complex section of wires and circuits, it's those two important units that make your nanny camera what it is. Without them - and without having them function properly, your micro spy nanny cam will simply be a high-tech piece of junk that won't actually do anything that you want it to.

So, we've determined that the camera and the receiver are the most vital components of a spy cam. Let's elaborate on those pieces so that you can enjoy a better understanding of exactly what they do, how they work and how they contribute to enhancing the safety and security of your family, home or business location.

Camera Lens

This is your eye when you can't be there to watch and see for yourself. The camera is the part that actually catches and records everything that happens within its field of vision. The great thing about the camera lens is that they can be incredibly small in size. There are exceptionally small camera lenses - called pinhole lenses - which are literally less than 1" in diameter. With spy cams, it's important to always understand that the camera lens is your window to everything that's going on. Without it, you won't see anything and your nanny camera won't record anything.

That's why pinhole camera lenses are so valuable. You can place them just about anywhere and not have to worry about anyone locating it or detecting it. Remember, the camera lens has to be in some clear location where it can have an unobstructed view. An exceptionally large camera lens will be easily discovered, thus neutralizing the "hidden" aspect of the spy camera. But, a small lens can be placed in any room and nobody will ever know that it's there.

There's one truth to always remember when it comes to spy cameras and the behavior of people: when people know that they are being watched, they will modify their behavior to make themselves appear in a favorable light. When they think they're alone is when their true behavior and intentions come to the forefront. A well hidden camera lens will always capture and record the truth, because nobody will know that it's there.

Receiver

Just as important as the camera lens is the video receiver. When you're super-small pinhole lens is recording video, it's got to send that video information somewhere. That somewhere is the receiver. For a majority of spy cameras and nanny cams, the receiver plug into a standard wall outlet. At the same time, the receiver is also connected to a TV, computer screen or viewing monitor. This allows you to watch the video that your camera is recording - in real time - directly on your television set.

The reason that this part is important is quite obvious actually: without it, you couldn't see what your camera recorded. Many people, when they use a spy camera, they intend to watch the footage that the nanny cam captured while they were away at a later time. Without a reliable, strong receiver, your camera won't be able to transmit any image whatsoever, thus rendering it completely and utterly useless. You should always endeavor to ensure that your camera receiver is kept in pristine condition at all times.

Your receiver will always be in tune with your camera lens, which means that you'll be able to set them up so that they'll always work together. Cameras and receivers are designed to work in conjunction with each other, and they aren't designed to be mixed and matched with other spy cam products or brands.

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ContourHD 1080p Full HD Helmet Camera

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Contour
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Great Deal :
$244.99
Date Created :
Nov 20, 2010 01:45:08

A water-resistant camera for all seasons, its light (4.3 ounces/123 grams) anodized aluminum body withstands dust, dirt, mud, and snow. It is also shock, vibration and impact resistant.

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• Contour 2350 ContourHD Battery
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Sigma 50-500mm f/4.5-6.3 APO DG OS HSM SLD Ultra Telephoto Zoom Lens for Sigma Digital DSLR Camera

Buy Sigma 50-500mm f/4.5-6.3 APO DG OS HSM SLD Ultra Telephoto Zoom Lens for Sigma Digital DSLR Camera Order Today!

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Trying to Choose the Best Digital Camera Lens?

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There are a lot of digital cameras available in the market nowadays. That is why it isn't surprising to find that accessories for these devices are also abundant. As a person who is inclined (or maybe starting) in photography, you have probably heard about the different digital camera lens. You might have felt the need to try them out but you realized that that would be a waste of time, not to mention, money. So here is an guide that will let you understand which is the best digital camera lens for you.

1.Fold optics lenses

Fold optics lenses are the ones that fold sideways to the camera's body. This kind of lens is very sleek and compact. Lenses of this type are very much protected by its built-in cover. Although these lenses are suitable for those who like compact devices, these models don't support lens converters. Based on different reviews, these lenses produces lower optical quality despite its higher costs compared to that of external lens designs.

2.Fixed zoom lenses

Fixed zoom lenses are not retractable even if the camera is turned off. However, this kind of "flaw" has its own use since these lenses can magnify objects at an average of 18 times. Attaching lens converters to perform different kind of shooting would not be a problem with these lenses. Fixed zoom lenses are commended for business users and serious amateurs in photography.

3.Fixed focal length lenses

Snapshooters and budget buyers should take advantage of this kind of lenses. It doesn't have an optical zoom to magnify objects. It is also very affordable. Cameras with fixed focal length lenses always have easy and quick camera operations. Although these lens provide the lowest quality available in the market, they are very good for shooting wide angle views such as landscapes and group shots.

4.Retractable zoom lenses

Although cameras with these lenses do not support lens converters, they are still very suitable for budget buyers and snapshooters. These lenses are always paired with sleek and compact designs to give it a very light look. This type of lenses, however, is not suitable for people who like to manually set controls since its switches are always limited.

5.Interchangeable lenses

Only digital SLRS offer you the chance to change lenses. Interchangeable lenses are recommendable to serious amateurs who want to have flexibility in handling subjects and views. Cameras with interchangeable lenses will enable you to save money since you won't have to buy new cameras for different kinds of photography.

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Choosing SLR Camera Lenses

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Having a wide variety of SLR camera lenses is a necessity for a professional photographer. However, choosing a second lens for amateur photographers can be daunting. The sheer number of SLR camera lenses available on the market is amazing. Discover the differences in camera lenses and make sure you buy the best camera lens for you.

The most important point to remember about SLR camera lenses is that they are always camera brand specific. For instance, a Nikon camera lens would not be compatible with a Canon camera and vice versa. However, a lot SLR camera lenses are interchangeable between different models of the same brand. For instance, the 18-135mm kit lens that comes with the Nikon D80 will work on the D90.

Whichever camera you own, the lenses available vary considerably in purpose, size and price and can generally be easily placed into one of the following five categories.

Standard

Most SLR cameras that come with a kit lens will feature a standard lens. It's designed to take a wide variety of photographs. Their perspective is similar to what the human eye sees. It often has too narrow a field of view for use with interiors and is not selective enough for longer-range views.

Wide Angle

With a shorter focal length than a standard SLR camera lens, wide angle lenses provide a wider angle image. Offering somewhat of a distortion on the picture's perspective, wide angle camera lenses give the effect that the item which is closest to the camera is a lot bigger than it is, producing a surreal looking photograph. An extreme example of a wide angle lens is a fish-eye lens.

Fish Eye

Often seen as an extension or progression to a wide angle lens, using a fish eye lens can encompass a wider view, but give the photograph a different perspective. Not used particularly widely in general photography, fish eye lenses offer a great and unusual effect to produce some fantastic images.

Telephoto

In essence, a camera with a telephoto lens attached has the ability to bring items that are further away closer to the camera. It works the same way that a telescope or pair or binoculars work. One of the SLR camera lenses that vary in price most, they can cost in excess of $100,000 at the higher end of the market. But amateurs can find them below $1,000. They are especially adept at wildlife and sports photography.

Macro

The opposite of a telephoto lens, a macro SLR lens has the ability to make small things that are close, appear extremely large. Not detracting from the detail in the image, high quality macro lenses are capable of taking a photograph of a one inch sized insect with such detail, that it can be blown up to fit a large poster without losing any of the insect's features.

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Three Simple Steps to Warm Up to a Cold Camera Lens

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Do you find it easier to talk to people than relate to a camera? Many people are accustomed to seeing that immediate feedback or even a simple nod of understanding from a live audience. An expressionless dark lens, however, is outside the comfort zone for many!

So how can you develop a new zone of comfort and deliver a warm and charisma-filled message directly to a cold, dark lens?

It requires a mind set change. It's easier than you might think!

You can accomplish this in three steps:

Step One: Think about someone that you have helped with your product, or service. Is there a person whose life is changed for the better because of you? Get specific and choose just one individual that made you feel fantastic because the results were so good.

Step Two: Now get really detailed. Remember the exact moment of their breakthrough or their highest moment of happiness. What was it like? Were they grateful? What did they say? Can you see the expression on their face? How did you feel? Try to even remember the environment: what was the color, and temperature of the room? What time of day? Try to recreate that moment in your mind. Got it?

Step Three: That person, or someone just like them, is waiting to have that fantastic moment right now; you cannot see them, but they are there and you can reach them through that tool called a camera. When you look at the lens now, focus on the person you envisioned, not the piece of equipment.

You may need to think of it this way, if there was someone that you knew you could help, but there was a closed door between you, wouldn't you still try to talk through the door? Of course! Think of speaking through the lens, not into it!

A camera allows you to spread your message to so many more than you could ever reach in person. A small change of your perception can allow you to affect lives around the world. You'll see the difference yourself after these three steps! Get Out there and make an impact!

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